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La mort heureuse, volume 1 in a projected series of Cahiers Albert Camus, is a first novel, written between 1936 and 1938, about a hero called Mersault, which Camus, for reasons unexplained, never attempted to have published. Instead he went on immediately to write his celebrated story, L'Etranger, reworking some of the episodes of La mort heureuse to make them fit his second hero, Meursault. If we are fond of dubious linguistic speculation, we can meditate on the possible significance of the change from the syllable mer (sea, with an implied background of mère, mother) to meur (die; Meursault = the imperative, meurs sot! die fool!). As it happens, sea, mother, death, and the sancta simplicitas of the Absurdist consciousness are four major themes in Camus and are common to both his early heroes, so that the second name would have been equally appropriate in the first book. Both novels deal roughly with the same subject matter, drawn for the most part from Camus's life as a young man in his native Algeria, but they give it sharply different emphases.
Review, 2523 words
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