Putnam's, 379 pp., $7.95
Black Sparrow, 56 pp., $3.00 (paper)
Paul Bowles was in the Orson Welles-John Houseman orbit, which was discussed in the last issue, for two shows—Horse Eats Hat and Dr. Faustus—and for one play never produced, William C. Gillette's farce Too Much Johnson—though some film-making for certain parts of that play did go on, intended for interpolation with music by Bowles. He was almost exclusively a composer during the 1930s. Earlier, in the late Twenties, he had written poetry and published in blues, transition, and other spots of the literary outfield. In the Forties he took up fiction and travel writing, through both of which he has earned money and an international public.
Review, 1459 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |