Holt, Rinehart & Winston, 266 pp., $7.95
Houghton Mifflin, 112 pp., $5.00
Macmillan, 118 pp., $4.95
Harcourt Brace Jovanovich, 284 pp., $6.95
Dutton, 143 pp., $4.50
Atlantic-Little, Brown, 188 pp., $4.95
Lippincott, 144 pp., $3.93
World, 124 pp., $4.95
Random House, 60 pp., $3.50
World, 222 pp., $6.95
Viking, 48 pp., $4.95
Farrar, Straus & Giroux, 32 pp., $4.95
Doubleday, 32 pp., $5.95
Farrar, Straus & Giroux, 32 pp., $4.95
Harcourt Brace Jovanovich, 48 pp., $4.25
Farrar, Straus & Giroux, 40 pp., $2.95
Lewis Carroll wrote Alice for the daughter of the Dean of Christ Church. Edward Lear made up his Nonsense Songs and Stories for the children at Knowsley Hall where he was painting Lord Derby's parrots. Beatrix Potter told the Tale of Peter Rabbit to entertain a five-year-old invalid. In collecting and publishing their Fairy Tales the brothers Grimm had a loftier end in view: the greater glory of Germany. Not that they didn't care for children: Wilhelm was a doting father, Jacob an affectionate uncle; both had romantic views about the sacred innocence of childhood. But pleasing children with fairy tales was only a by-product of their great endeavor, which was nothing less than to recapture the whole German cultural heritage. Fairy tales were part of a grand design which also comprised folk tales, heroic tales, mythology, translations from Old German and Danish, German legal antiquities, and the monumental Grammar and Dictionary.
Review, 3333 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |