Little, Brown, 465 pp., $10.00
Farrar, Straus & Giroux, 260 pp., $6.50
The Best and the Last of Edwin O'Connor is an act of homage. O'Connor died in 1968 at the age of fifty, his work a public success but still, in the artistic sense, incomplete, his possibilities unfulfilled. His last work includes some of his best, especially an unfinished story called 'The Boy.' The argument between Grandfather and P.J. about eternal verity, in that story, is better than anything I recall from the big novels. Arthur Schlesinger, Jr., Edmund Wilson, and John V. Kelleher speak warmly of the man, his gaiety, the radiance of his friendship, but they do not say much of his art. Perhaps they feel that in the choice between perfection of the life and perfection of the work O'Connor chose the better part. In any case they testify to a remarkable man. Their book contains selections from all the novels, The Oracle, The Last Hurrah, The Edge of Sadness, I Was Dancing, All in the Family, with fragments of later writing, including a story called 'Baldini' on which O'Connor collaborated with Mr. Wilson.
Review, 2319 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |