Simon & Schuster, 256 pp., $3.75 (paper)
Universal Pictures
We all know, I suppose, the compound character of Alfred Hitchcock's art. The sinister young man, for instance, outwardly affable: Robert Walker, in Strangers on a Train, with his expensive cuff links and strangler's hands; gangling Anthony Perkins, in Psycho, motel keeper and schizophrenic. Or the theme of pursuit, neither burlesqued as in Pale Fire, nor magisterial as in Les Misérables, but both magisterial and burlesqued; the coupling of catastrophe with charm, the ghoulish with dreams:
Review, 3600 words
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