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Leonard Michaels is a gut-writer. The paradigm of his fiction is simple: two people, locked in violence. The stories are set in 'the city's dark going places,' New York for instance, but the setting is not crucial, any city will answer. The people themselves hardly matter, except as conductors of violence; they are good for intensity and shock, nothing else. We are not required to care for them, but rather to be afflicted by the venom they secrete. The characters come in pairs, couples, Phillip and Veronica, Sarah Nilsin and Myron Bronsky, Melanie and Harry, Phillip and Cecily, Miller and Mildred. Their violence is the kind that couples engender: birth and copulation and then death. Sometimes the hero has a twin, as Phillip has his secret sharer, Henry; and then the girl, the stuttering Marjorie, provides the occasion, the incitement. Of Henry, Phillip says:
Review, 2777 words
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