Houghton Mifflin, 90 pp., $4.00
Atheneum, 80 pp., $1.95 (paper)
Atheneum, 80 pp., $1.95 (paper)
Viking, 54 pp., $3.95
In the fourth chapter of Le Degré Zéro de L'Ecriture Roland Barthes proposes a distinction between classical language and modern language. 'The economy of classical language,' he says, is 'relational, which means that in it words are abstracted as much as possible in the interest of relationships.' The words do not claim any special character in their own behalf: 'no word has a density by itself, it is hardly the sign of a thing, but rather the means of conveying a connexion.' In modern language the fixed relations are dissolved, and words are cast upon a new condition; they may do what they will, because they are not obliged to do anything in particular. The object of a modern poem is not to define or qualify relations already conventionally agreed, but to cause 'an explosion of words.'
Review, 3370 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |