Dial Press, 259 pp., $4.50
Simon & Schuster, 214 pp., $4.95
Houghton Mifflin, 213 pp., $4.50
Holt, Rinehart & Winston, 215 pp., $4.95
These four collections of short stories or novellas provide an instructively large dose of a kind of literary experience I usually avoid, since I tend to skip such pieces when I come across them in the pages of magazines. The short story is a paradoxical form in that it is both common and neglected: one or two specimens, at least, are to be found in any self-respecting intellectual quarterly or glossy monthly—see the recent exchange in these columns between Nigel Dennis and Anthony West about the propriety of writing for Mademoiselle—yet no one seems very interested in the theoretical justification and possibilities of the short story, a situation that contrasts with recent strenuous attempts to erect a poetics of the novel. It is true that collections of short stories, overlaid with commentary and annotation, are popular as college textbooks: the New Critical assumption that all literature is really poetry, or at least can be read as poetry, is difficult to apply to the novel, but can serve very well with a few pages of self-contained fiction that can be gone over in class and given the theme-symbol-image treatment just as though it were a poem. Yet this approach, illuminating though it may be, and pedagogically useful, is surely remote from the way most readers receive the short story, and, for that matter, how most writers conceive of it.
Review, 2192 words
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