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It was with reference to Zamyatin that Trotsky in 1923, in his Literature and Revolution, coined the term 'inner émigré' to define an attitude and a quality of writing which he resented, a scornful aloofness to the Revolution, a spiritual isolation that seemed to him willful and snobbish. He was only partly right; Zamyatin was indeed aloof, but neither snobbish nor indifferent. He sensed how things were going; wrote We, that famous satire on totalitarianism which inspired Orwell's 1984 and Huxley's Brave New World, but which has never been published in Russia; and presently, finding his position in the USSR untenable—suddenly deprived of his various editorial positions, unable to publish his stories, his play taken off the boards—changed from inner to outward émigré, and ended his days in Paris, in 1937.
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