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I have never been to Brazil, know little of its history and literature, cannot read or speak Portuguese, and am therefore in a good position to fire off generalizations about Luso-Brazilian culture, secure in the knowledge that I cannot contradict myself. It is, for instance, obvious to my all-seeing eye that the Brazilian writer must face, in a very acute form, the problem of national identity. Any writer is to some extent judged, in his own day, by whether he supports or attacks the national stereotype; Yeats, in his most passionately. Irish phase, encouraged Synge to write The Playboy of the Western World, staged it, and then had to face the fury of the Dublin Catholic middle class who assumed that this 'passionate and simple' dramatist was mocking at Irish manhood in his portrait of Christy Mahon. For the Brazilian, the problem must be even more difficult.
Review, 2483 words
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