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Abrams, 120 pp., $35.00
By the time Picasso's eighty-fifth birthday year is over, major exhibitions will have taken place in Basel, Dallas, Fort Worth, Los Angeles, London, New York, Paris, and lesser ones will have cropped up all over the world. Meanwhile, every Picasso dealer is putting on a show to promote his holdings, and publishers are announcing new titles or revamping old ones. The irony is that all this public acclaim, unprecedented in the life of an artist, should come at a time when the more thoughtful young artists and critics have turned to new gods—just as fifty years ago they rejected the work of the aged Monet and supported cubism. But more of this later.
Review, 2971 words
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