Farrar, Straus and Giroux, 715 pp., $40.00
National Museums and Galleries of Wales/Lund Humphries/Spink, 71 pp., $29.95
Polity Press/Blackwell, 259 pp., $32.95 (paper)
Augustus John's artistic reputation has undergone as dramatic a change as any in British art history. Dubbed by The Times, in 1917, 'the most famous of living English painters' and declared by another critic to be one of the three greatest talents in Europe (the other two being Matisse and Epstein), he has sunk to the point where the 1987 exhibition 'British Art in the 20th Century,' twenty-six years after his death, included no Johns at all. Some famous portraits, such as that of Madame Suggia, the violinist, are familiar to visitors to London's Tate Gallery, and the National Museum of Wales (John's homeland) has some paintings on display. But a recent exhibition of his drawings, to the catalog of which Michael Holroyd contributes an introduction, excited only moderate interest and, when works in the hands of family and private owners are excluded, much of this prolific artist's work lies stacked away in gallery reserves.
Review, 5448 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |