Yale University Press, 443 pp., $50.00
Since the onset of modernism, there has been a tendency to depreciate the art of the previous age, Hermann Muthesius in 1902 going so far as to dismiss the whole of the nineteenth century as 'the inartistic century.' Nineteenth-century architecture in particular has been the object of criticism, and it has often been described as being stuck in a historicism that stifled design, and whose practitioners, without any ideological preconceptions, simply copied the structures and styles of the past according to the whims of the market and contemporary taste.
Review, 5234 words
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