In the spring of 1988, my wife, Joan Didion, and I were approached about writing a screenplay based on a book by Alanna Nash called Golden Girl, a biography of the late network correspondent and anchorwoman Jessica Savitch. In the spring of 1996, the motion picture made from our screenplay, now called Up Close & Personal, with Robert Redford and Michelle Pfeiffer, and no longer about Jessica Savitch, was released. What follows, drawn from a longer account, is about some of the opening moves in selling a screenplay in Hollywood, years before the first day of principal photography—the day when the actors finally appear before the camera.
Feature, 5761 words
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