University of Nebraska Press,155 pp., $45.00; $15.00 (paper)
OTHER BOOKS MENTIONED IN THIS REVIEW
New Directions, 281 pp. (out of print)
Dalkey Archive Press, 117 pp., $10.95 (paper)
Twayne, 148 pp. (out of print)
New Directions, 197 pp., $10.95 (paper)
Riverrun Press, 207 pp. (out of print)
Paris: Gallimard, 1,647 pp.FF420
London: John Calder, 175 pp., $10.95 (paper)
In Paris around 1949, 'existentialist cabarets' became very chic. That year the Frères Jacques and Juliette Greco, popular singers on the cabaret scene, recorded a song that quickly became a hit. The words were written by a moody ex-Surrealist in his forties, Raymond Queneau. The simple lyrics, set to music by Joseph Kosma, combined a 'seize the day' motif with the low-life diction Jacques Prévert had popularized in Paroles (1945). Such playful-plaintive language is nearly impossible to translate:
Review, 4055 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |