Paris: Réunion des Musées Nationaux, 518 pp., $135.00 (paper)
In 1862 the historian of Veronese painting Cesare Bernasconi cast doubt on the idea that all the works of Pisanello that were once admired in Rome, Florence, Venice, Milan, Pavia, Mantua, and Naples could have disappeared altogether. Some of them, surely, must be languishing under misattribution to some other painter. No other artist from the fourteenth of the first part of the fifteenth century, with the possible exception of Giotto, had been so praised by his eminent contemporaries. Something more must have survived.[1]
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