The Monteverdi Cycle at the Brooklyn Academy of Music, April 7–27, 2002:
Les Arts Florissants and the Aix-en-Provence European Academy of Music
Dutch National Opera and Les Talens Lyriques
Chicago Opera Theater and Newberry Consort
It was a brilliant idea, and must have required a managerial tour de force, for the Brooklyn Academy of Music to bring together the three surviving operas of Claudio Monteverdi in productions from Amsterdam, Aix-en-Provence, and Chicago, dating from 1993, 2000, and 2001 respectively. Attending all three in a row was a wonderful experience, vertiginous even for the seasoned opera-goer, and would have been so even if the three productions had not been so very different.
Review, 3589 words
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