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In 1873, Fyodor Dostoevsky sat down at his desk to write a few impressions of everyday life in his home town of St. Petersburg. Read today, these sketches come as something of a shock. Few of the great figures of Russian literature are so closely identified with Petersburg as Dostoevsky, and yet, as his observations demonstrate, he was far from being a booster for the city. In his youth, as his biographer Joseph Frank points out in Dostoevsky: The Mantle of the Prophet, 1871–1881, Dostoevsky had regarded Petersburg's mélange of architectural styles as inspiring proof that the Russian capital had succeeded in absorbing the best of European culture. But now, as his mental eye roams over the cityscape, all he can see is the 'lack of character of the idea and all the negativity of the essence of the Petersburg period from its very beginning to its end.' The architectural aspirations of generations of aristocrats and emperors, tirelessly striving to imitate the best European models, Frank writes, have resulted in nothing but
Review, 4154 words
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