Random House, 313 pp., $25.95
Morrow, 370 pp., $25.95
In the 1890s, the bright lights of Broadway ribboned their way north through Union, Madison, and Herald Squares, illuminating ambling throngs of theater- and restaurant-goers, until reaching 42nd Street where, all at once, the Gay White Way winked out. Ahead in the gloom lay Longacre Square, lair of footpads by night, and by day the manure-redolent center of the city's horse and livery trades. In 1895, the impresario Oscar Hammerstein I crossed the frontier and planted a theatrical complex at 44th Street, but his foray failed, victim in part of an ongoing depression. In 1899 and 1900, the economy surging again, he erected two theaters on 42nd Street, this time barely ahead of a herd of leisure-time entrepreneurs thundering up from downtown, as New York's entertainment district whooshed into the square, bright lights and all.
Review, 5080 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |