Farrar, Straus and Giroux, 330 pp., $25.00
BOOKS REFERRED TO IN THIS ESSAY
Harvard University Press, 176 pp., $16.95 (paper)
Penguin, 336 pp., $14.95 (paper)
M.E. Sharpe, 400 pp., $28.95 (paper)
Praeger, 368 pp., $68.95
University of California Press, 264 pp., $18.95 (paper)
University of California Press, 300 pp., $19.95 (paper)
University of Chicago Press, 320 pp., $15.00 (paper)
Stanford University Press, 256 pp., $49.50
Louisiana State University Press, 216 pp., $28.95
Yale University Press, 288 pp., $40.00
Penguin, 240 pp., $14.00
University of Illinois Press, 312 pp., $18.95 (paper)
University of North Carolina Press, 320 pp., $19.95 (paper)
University Press of New England, 170 pp., $14.95 (paper)
Harvard University Press, 456 pp., $16.95 (paper)
Princeton University Press, 256 pp., $26.95
Ohio State University Press, 192 pp., $23.95 (paper)
Cambridge University Press, 336 pp., $70.00
University of California Press, 390 pp., $35.00
Oxford University Press, 318 pp., $24.95 (paper)
University of Chicago Press, 419 pp., $30.00
The historical landscape is undergoing a curious change. Amid the profusion of books about the usual subjects—founding fathers, gay culture, the public sphere, memory, the Holocaust, ecology, globalization, slavery, war and peace, sex and women—a new genre has sprouted. It is scattered across so many subfields that it has hardly been noticed, but it can be found everywhere, even on the front tables of bookshops and the 'required' sector of reading lists for college courses. The genre takes the form of short books on dramatic events—murders, scandals, riots, catastrophes, the kind of thing that used to be the specialty of tabloids and penny dreadfuls but now comes out in hardcovers bearing the stamp of university presses.
Review, 4983 words
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