Knopf, 414 pp., $27.50
While staying in Leeds in July 1782, Tate Wilkinson, the successful manager of a theater company touring the north of England, received a message asking him to visit Grace Phillips, an actress who, as Mrs. Francis, had once played Desdemona to his Othello. He found Grace and her three children in dire straits: newly arrived from Ireland and penniless, the family desperately needed work. But Grace Phillips was not asking Wilkinson for a place in his troupe for herself. Instead she proposed that he should employ her daughter Dorothy or, as she preferred to be known, Dora, aged twenty and now five months pregnant, the result of an affair with Richard Daly, a vicious Dublin theater manager who had forcibly claimed the rights of the casting couch.
Review, 3910 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |