at the Vivian Beaumont Theater, Lincoln Center, New York,June 22–October 10, 2004
During the harsh Balkan winter of 407–406 BC, the Athenian playwright Euripides died in his self-imposed exile in Macedonia. He was just shy of eighty, and had been presenting tragedies at the theater of Dionysus in Athens for just under half a century. In view of the ways in which he had so daringly exploded tragic convention during that time—pushing the genre in the direction of romance, showing an ever-increasing preference for happy endings, introducing 'low' and even quasi-comic elements (plebeian characters, outright parody)—it was perhaps only appropriate that the tidings of the tragedian's demise, when they were received back home in Athens, should have inspired both a moving tragic spectacle and a great comic invention.
Review, 4990 words
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