an exhibition at the National Gallery of Art, Washington, D.C., October 17, 2004–January 2, 2005; the J. Paul Getty Museum, Los Angeles, February 1–April 24, 2005; the Metropolitan Museum of Art, New York, May 24–August 21, 2005; and Tate Britain, London, September 21, 2005–January 2, 2006
Yale University Press, 290 pp., $65.00
The first war photographer, according to some versions, was Carol Popp de Szathmari, a Romanian amateur painter who photographed the Russian generals at the start of the Russo-Turkish War in Wallachia in 1854. He followed this with portraits and camp scenes from the Turkish occupation of Bucharest. Then, having equipped a carriage as a mobile darkroom, he pursued the war in the Danube basin, eventually assembling an album of two hundred photographs, which he exhibited in May 1855 at the Exposition Universelle in Paris. At the same event, Roger Fenton won a silver medal for some landscape studies. But Fenton could not have seen de Szathmari's exhibit in Paris. He himself was by then in the Crimea, completing what would become a five-month assignment.
Review, 3303 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |