Kristin Lavransdatter, the Nobel laureate Sigrid Undset's celebrated trilogy of novels set in fourteenth-century Norway, runs over one thousand pages in the old three-in-one Knopf hardcover I'd picked up secondhand, and I chose to read it slowly, lugging the hefty, handsome volume everywhere. This was more than twenty years ago. One of its themes is the stubborn power of magic—the bewitching allure of pagan practices in a society that had officially but not wholeheartedly embraced Christianity—and the trilogy did seem to work magical effects: it drew elderly women to me.
Feature, 3709 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |