Knopf, 222 pp., $40.00
In the history of criticism, novelists and poets who write about exhibitions of painting and sculpture have a distinctive place. Their comments on the visual arts may (or may not) be less well informed than the writings of professional art critics and scholars, but some have been capable of subtle, independent observation that makes us see things freshly. The long tradition of literary art criticism began around the middle of the eighteenth century with Diderot's reviews of the 'Salons' and it splendidly continued with critical essays by Baudelaire and Théophile Gautier, Zola and Huysmans, to cite only a few of the most famous names.
Review, 4134 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |