Penguin, 451 pp., $10.95 (paper)
Farrar, Straus and Giroux, 298 pp., $25.00
The Roman poet Ovid fascinated the Middle Ages, influenced Shakespeare, inspired Bernini and Titian and Handel, was loved by Dryden and Pope, and shocked the nineteenth century (by which I mean the real nineteenth century, the hundred years from, say, 1835 to 1935). Our age is turning again to the subversive Augustan: translations of his poems are multiplying, and scholars are producing commentaries and monographs on him in numbers unimaginable a few years ago.
Review, 4971 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |