Volume 40, Number 17 · October 21, 1993

The Medium Inquisitor

By Robert Hughes
Clement Greenberg: The Collected Essays and Criticism, Vol. 1: Perceptions and Judgments, 1939-1944 (1986)
edited by John O'Brian

University of Chicago Press, 270 pp., $16.95 (paper)

Clement Greenberg: The Collected Essays and Criticism, Vol. 2: Arrogant Purpose, 1945–1949 (1986)
edited by John O'Brian

University of Chicago Press, 353 pp., $16.95 (paper)

Clement Greenberg: The Collected Essays and Criticism, Vol. 3: Affirmations and Refusals, 1950–1956
edited by John O'Brian

University of Chicago Press, 305 pp., $29.95

Clement Greenberg: The Collected Essays and Criticism, Vol. 4: Modernism with a Vengeance, 1959–1969
edited by John O'Brian

University of Chicago Press, 341 pp., $29.95

A phrase that has long echoed in discussions of American art was 'as Clem Greenberg said,…' but the difficulty, until now, has been to know what that was. Clement Greenberg, for a slew of reasons, was the most influential art critic in American history. (He is still alive at eighty-four, but he abandoned critical writing long ago and shows no sign of resuming it; thus the past tense.) He was also nearly the last, and by far the best-known, of the self-taught art critics; practically no one goes into this field today without an armor-plating of specialized degrees in art history, but such things were not considered necessary fifty years ago, when most American art criticism was written by poets, painters, polemicists, and enthusiastic amateurs.



Review, 6177 words

To read the full text of this piece, please choose one of the following options:

If you are already a subscriber to the Review's electronic edition, please sign in:

To subscribe to the electronic edition, please press the button below.

I agree to the terms and conditions for this service.

To purchase access to this article for $3, please press the button below.

I agree to the terms and conditions for this service.


Search the Review
Advanced search