Volume 39, Number 14 · August 13, 1992

In the Magic Circle

By Roger Shattuck
The Lost Upland: Stories of Southwest France
by W.S. Merwin

Knopf, 307 pp., $22.00

A number of modern poets have tended to explore aspects of their sensibility and of their surroundings more boldly in prose than in poetry. Baudelaire excelled at the critical essay; his prose poems and intimate journals complement Les Fleurs du mal in subtle ways we are still exploring. Hofmannsthal made a major poetic statement in The Letter of Lord Chandos (1902). Rilke speaks to many of us through the intense scenes of The Notebooks of Malte Laurids Brigge. I could make a strong case for Rimbaud and even for Mallarmé as poets sometimes at their best in prose. Dylan Thomas came down to earth in his ripely sensuous stories. And a sound rule of thumb tells us that poets have been the best critics of poetry.



Review, 2707 words

To read the full text of this piece, please choose one of the following options:

If you are already a subscriber to the Review's electronic edition, please sign in:

To subscribe to the electronic edition, please press the button below.

I agree to the terms and conditions for this service.

To purchase access to this article for $3, please press the button below.

I agree to the terms and conditions for this service.


Search the Review
Advanced search