BOOKS DISCUSSED IN THIS ESSAY
Yale University Press in association with the Victoria and Albert Museum, 218 pp., $40.00
Bühnentwürfe Stage Designs, Ernst and Son, Vol. II, 32 plates pp., DM 360 the set
Princeton Architectural Press, 174 pp. of text 174 plates pp., $60.00
C.H. Beck (out of print), 376 pp.
In an episode in Erwin Strittmatter's Ole Bienkopp, one of the most interesting novels to appear during the lifetime of the German Democratic Republic, the Communist Party secretary of the Duchy of Ruppin in Mark Brandenburg becomes annoyed with the presence, in the marketplace of the town of Gransee, of a memorial to Queen Luise of Prussia. Erected by the townspeople in 1811, to commemorate the fact that the much-loved queen's funeral cortege paused for a night in Gransee on its way to Berlin from Mecklenburg, where she died, the Luisendenkmal was a catafalque resting on a high stone pedestal, with a golden crown at its head. Over the coffin there was a Gothic baldachin of iron in the shape of a tabernacle, and the whole was enclosed by ornamental iron railings. The district secretary could see no reason why this melancholy edifice should still be casting a shadow over the marketplace and, reflecting that old iron is always useful, he sent some laborers to demolish it. As the first hammer hit the railings, however, a window flew up in the building across the square, and the town dentist shouted indignantly, 'You are desecrating Schinkel!'[1]
Review, 5015 words
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