Volume 39, Number 5 · March 5, 1992

The Sweet Singer of Tuckahoe

By Darryl Pinckney
My Soul's High Song: The Collected Writings of Countee Cullen, Voice of the Harlem Renaissance
edited by Gerald Early

Anchor Books, 618 pp., $14.95 (paper)

Countee Cullen was the Edna St. Vincent Millay of the Harlem Renaissance. Virtually every poem of this romanticized writer was read by blacks as well as whites as a gesture, or even a 'monument to the New Negro movement.' Before the publication of his first collection, Color, in 1925, when he was twenty-two, Cullen was already being celebrated, partly perhaps because he demonstrated that a black could turn out high-minded heroic couplets. Dead at forty-two, he has also come down to us in numerous anthologies of American poetry as something of a boy wonder who was silenced before his time, like the Romantic poets who were his models.



Review, 4573 words

To read the full text of this piece, please choose one of the following options:

If you are already a subscriber to the Review's electronic edition, please sign in:

To subscribe to the electronic edition, please press the button below.

I agree to the terms and conditions for this service.

To purchase access to this article for $3, please press the button below.

I agree to the terms and conditions for this service.


Search the Review
Advanced search