BOOKS BY CHESTER HIMES DISCUSSED IN THIS ESSAY(in chronological order)
Thunder's Mouth Press, 203 pp., $10.95 (paper)
Thunder's Mouth Press, 398 pp., $10.95 (paper)
(out of print)
Thunder's Mouth Press, 350 pp., $11.95 (paper)
Allison and Busby (Allison and Busby titles are now distributed by, 201 pp., £4.99 (paper)
(out of print)
Vintage, 159 pp., $8.00 (paper)
Vintage, 160 pp., $6.95 (paper)
Vintage, 159 pp., $5.95 (paper)
Allison and Busby, 192 pp., £5.99 (paper)
Allison and Busby, 156 pp., £3.99 (paper)
(to be reprinted by Allison and Busby in June)
Vintage, 174 pp., $5.95 (paper)
Vintage, 159 pp., $8.00 (paper)
Vintage, 191 pp., $6.95 (paper)
Paragon House, 351 pp., $12.95 (paper)
Paragon House, 391 pp., $12.95 (paper)
Thunder's Mouth Press, 429 pp., $12.95 (paper)
There is a peculiar purgatory of esteem reserved for those American artists who have been lionized in Europe while enduring neglect at home. The obligatory jokes about Jerry Lewis aside, the history of this ambiguity stretches back to Poe and forward to such disparate figures as Nicholas Ray, David Goodis, Sidney Bechet, Samuel Fuller, Memphis Slim, Jim Thompson, Joseph Losey, and the Art Ensemble of Chicago. These writers, musicians, and film makers failed to be prophets in their own country, were recognized too late or too little, in part because they worked the side of the street deemed 'popular' (although not sufficiently popular), ever a focus of American cultural insecurities. Some of them became exiles, some, like the blacklisted Losey, for explicitly political reasons.
Review, 5200 words
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