Yale University Press, 257 pp., $35.00
St. Martin's, 248 pp., $27.95
Clarendon Press/Oxford University Press, 712 pp., $80.00
Virgil was a perfectionist. Among the few items in the highly unreliable biographical tradition that have a ring of truth are his remark that he created a poem like a she-bear, gradually licking it into shape, and the report that as he lay dying at Brindisi in 19 BC, he ordered his executors to destroy the manuscript of his major work, the Aeneid, because it lacked a final revision (an order, fortunately, countermanded by Augustus). Virgil had lived only fifty-one years, but, in spite of his slow rate of composition (seven years for the 2,183 lines of the Georgics), he left the huge legacy of three works that contain close to 16,000 hexameter lines.
Review, 7617 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |