Two recent Freud-inspired exhibitions in New York, Freud: Conflict and Culture, sponsored by the Library of Congress, at the Jewish Museum, and Surrealism: Two Private Eyes, The Nesuhi Ertegun and Daniel Filipacchi Collections,[1] at the Guggenheim Museum, suggest that Freud still commands considerable interest and esteem. Both exhibitions sought to com-municate key Freudian ideas with maximum visual impact—obviously so in the case of the Surrealism show, but also in the Library of Congress display, which included film clips, home movies of Freud himself, a re-creation of Freud's study, and artfully contrived displays that formulated Freud's characteristic doctrines.
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