Volume 37, Number 13 · August 16, 1990

Inconclusive Evidence

By Robert Towers
The Burden of Proof
by Scott Turow

Farrar, Straus and Giroux, 515 pp., $22.95

The Music Room
by Dennis McFarland

Houghton Mifflin, 275 pp., $19.95

In a Father's Place
by Christopher Tilghman

Farrar, Straus and Giroux, 214 pp., $18.95

Scott Turow's first novel, Presumed Innocent, appeared three years ago, remained on the Times best-seller list for fifty-four weeks, and has just been made into a movie. For much of its length it is an interesting, competently written work of detective and courtroom fiction, with a wider social range than is usual, providing entertaining observations on arcane legal matters that Turow, himself a practicing lawyer, presents with commendable clarity. The novel's climax is a suspenseful trial scene in which the defense is brilliantly conducted by an Argentinian-Jewish lawyer named Alejandro Stern. Unfortunately, Turow seriously undermined whatever literary claims his book might have had by what I consider an act of novelistic bad faith: the revelation near the novel's end of crucial information that the first-person narrator has until then concealed from the reader. This trick makes psychological nonsense of the narrator's carefully rendered thoughts and intimate feelings, which have been laid out from the start.



Review, 3266 words

To read the full text of this piece, please choose one of the following options:

If you are already a subscriber to the Review's electronic edition, please sign in:

To subscribe to the electronic edition, please press the button below.

I agree to the terms and conditions for this service.

To purchase access to this article for $3, please press the button below.

I agree to the terms and conditions for this service.


Search the Review
Advanced search