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'Why are so many people in England down on Cyril Connolly?' Edmund Wilson asked John Wain in 1957. Wain gave a sensible reply. Fashion had changed. The man of letters had been superseded by the professional academic critic. Empson and Leavis, Blackmur and Tate made discriminations and analyzed the text. Critics had at their fingertips examples of the intentional fallacy and the dissociation of sensibility. The critic now took his vocation as seriously as a young priest.
Review, 3327 words
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