The Dead, John Huston's last film, is a work of love, a statement of last respects not only to James Joyce, who wrote the story as the culmination of Dubliners (1914), but to the West of Ireland, where Huston lived for some years. Joyce's general intention in Dubliners was, as he said, 'to write a chapter of the moral history of my country.' He chose Dublin for its scene 'because that city seemed to me the centre of paralysis.'
Review, 2174 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |