BOOKS ON PU YI DISCUSSED IN THIS ESSAY
London: Victor Gollancz (1934); reprinted by Scholarly Resources
Peking: Foreign Languages Press, 2 vols, 496 pp.
Oxford University Press, 502 pp., $10.95 (paper)
Bantam, 336 pp., $9.95 (paper)
Pocket Books, 310 pp., $4.95 (paper)
London: Allen and Unwin, out of print
Paris: Flammarion (1975); reprinted by Editions J'ai lu, (1987), 600 pp., fr30
The Last Emperor is a spectacular film photographed in brilliant color. It is also a moral drama with controversial political overtones of great ambiguity. It spans sixty years of history, between the Manchu dynasty's final decrepitude and the disaster of the Cultural Revolution in the People's Republic. It leaves us with a question: Did Pu Yi, the last emperor of the Ch'ing dynasty (1644–1912) and the only emperor of Japan's puppet state of Manchukuo (1931–1945), really find a new life in Mao's China? Or was it simply a variation on his life's theme of puppetry? Was he not in fact the world's champion puppet—first under the Ch'ing court, then under the Japanese militarists, finally under the Chinese Communists? The answer is by no means as self-evident as we may tend to think.
Review, 2843 words
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