WORKS DISCUSSED IN THIS ESSAY
Dover, 289 pp., $8.95 (paper)
Yale University Press, 224 pp., $50.00
Catalog of the exhibition at the Hayward Gallery, London (March 5June 7, 1987) organized by the Arts Council of Great Britain, 368 pp., $39.95 (paper)
MIT Press, 270 pp., $24.95
Princeton Architectural Press, 192 pp., $17.00 (paper)
Paris: Editions du Centre Pompidou, 497 pp., fr420
Rizzoli, 240 pp., $40.00
Princeton University Press, 267 pp., $19.95 (paper)
University of Chicago Press, 176 pp., $29.00
Paris: Dunod, 208 pp., fr120
St. Martin's, 136 pp., $24.95 (paper)
Milan: Mazzotta, 263 pp., 35,000L (paper)
Milan: Mondadori, 212 pp., 35,000L (paper)
213 pp.
MIT Press, 214 pp., $12.50 (paper)
Berlin: Ernst und Sohn, 296 pp., DM86
Stars fell on architecture during the 1880s, the decade when most of the central characters of the Modern movement were born. Their centenaries have occasioned an unbroken series of commemorative celebrations and critical reevaluations, but no other observances have approached the scale of those surrounding the hundredth anniversary of the most important Modernist architect of them all: Le Corbusier, born Charles-Edouard Jeanneret on October 7, 1887, in La-Chaux-de-Fonds in the Swiss Jura. The leading polemicist of the generation that sought to establish a rational aesthetic order out of the unprecedented technical advances of the Age of Industrialization, Le Corbusier defined the Modernist imperative in the most influential of his thirty-eight books, Vers une architecture (first published in 1923, translated into English in 1927 as Towards a New Architecture and available once again in a facsimile edition). His language recalls Eugène Viollet-le-Duc's earlier assertion that new materials would give birth to a new age:
Review, 7368 words
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