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The vitality of the thoughtful novel in Russia, and its enormous popularity with all classes, has often depended on a caroming effect. X writes a novel in protest against Y's novel, and then Z moves in and finishes the job. After Turgenev's Fathers and Sons came Chernyshevsky's What is to be Done?, a ridiculous work in praise of—among other things—'young people,' whom the degraded and Europeanized Turgenev, as the radicals saw him, had slandered. Dostoevsky then produced Notes from Underground, and went on to finish the job on Turgenev in The Devils. Genius battened on the work of inferior dogmatists, and itself became all the more dogmatic in the process—Tolstoy in War and Peace was taking up the cudgels on behalf of the Russian gentry class, routinely slandered by the intellectuals of the 1860s.
Review, 2177 words
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