Volume 34, Number 16 · October 22, 1987

Riding the Bronze Horse

By John Bayley
Partings
by Leonid Borodin, translated by David Floyd

Harcourt Brace Jovanovich, 221 pp., $15.95

Pushkin House
by Andrei Bitov, translated by Susan Brownsberger

Farrar, Straus, and Giroux, 350 pp., $22.50

The vitality of the thoughtful novel in Russia, and its enormous popularity with all classes, has often depended on a caroming effect. X writes a novel in protest against Y's novel, and then Z moves in and finishes the job. After Turgenev's Fathers and Sons came Chernyshevsky's What is to be Done?, a ridiculous work in praise of—among other things—'young people,' whom the degraded and Europeanized Turgenev, as the radicals saw him, had slandered. Dostoevsky then produced Notes from Underground, and went on to finish the job on Turgenev in The Devils. Genius battened on the work of inferior dogmatists, and itself became all the more dogmatic in the process—Tolstoy in War and Peace was taking up the cudgels on behalf of the Russian gentry class, routinely slandered by the intellectuals of the 1860s.



Review, 2177 words

To read the full text of this piece, please choose one of the following options:

If you are already a subscriber to the Review's electronic edition, please sign in:

To subscribe to the electronic edition, please press the button below.

I agree to the terms and conditions for this service.

To purchase access to this article for $3, please press the button below.

I agree to the terms and conditions for this service.


Search the Review
Advanced search