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How Chopin played the piano, though a puzzling question, is not beyond all conjecture. For almost the last hundred years, we have been given an image of the past by records and tapes, but that specious patent from oblivion is generally misleading and always distorted—and subtle distortions are the most difficult to compensate for (no recording will adjust to the acoustics of your living room as a live performer would). Before recording, we have only uncertain memories, twisted by time and prejudice, inaccurately set down, and letters or reviews, dusty, crumbling, and not to be trusted.
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