Volume 34, Number 8 · May 7, 1987

Jean Valjean, Superstar

By Luc Sante
Les Misérables
a musical by Alain Boublil, by Claude-Michel Schönberg, based on the novel by Victor Hugo, music by Claude-Michel Schönberg, lyrics by Herbert Kretzmer, original French text by Alain Boublil, by Jean-Marc Natel, additional material by James Fenton, directed and adapted by Trevor Nunn, by John Caird

at the Broadway Theatre, New York City

The Broadway Theatre, where Les Misérables opened on March 12 amid great fanfare and with a record-breaking $11 million in advance ticket sales, is situated on the Fifty-third Street corner of The Great White Way. Much of the area to its south, Times Square and the Broadway hub, is soon to be demolished by authority of the Times Square Redevelopment Corporation. This destruction, like Baron Haussmann's revision of Paris in the mid-nineteenth century, is intended to make way for clean façades and pleasant prospects. Gone will be, among other things, the row of edifices on Forty-second Street, between Broadway and Eighth Avenue, that already look like so many rococo, Victorian, and Moderne gravestones. That leaves their population of teen-age hustlers, whores, crackheads, beggars, vagrants, and outpatients. By removing the buildings and replacing them with featureless slabs, the city imagines that the life now present in the area will simply disappear, into history or, if that is not possible, into some other jurisdiction.



Review, 3007 words

To read the full text of this piece, please choose one of the following options:

If you are already a subscriber to the Review's electronic edition, please sign in:

To subscribe to the electronic edition, please press the button below.

I agree to the terms and conditions for this service.

To purchase access to this article for $3, please press the button below.

I agree to the terms and conditions for this service.


Search the Review
Advanced search