David R. Godine/Nonpareil Books, 222 pp., $8.95 (paper)
In 1924 Robert Musil published a collection of stories entitled Three Women, the spinoff of his work on a novel about the last years of the Hapsburg Empire that began to appear, in installments, in 1930: The Man Without Qualities. For readers daunted by this most essayistic of novels, full of thinking, empty of ideas (because, to its author, it was the mark of a poet to be open to ideas but to hold none), unfinished and perhaps unfinishable, a novel that asks its central question—what Europe is to believe in now that it has ceased to believe in history—in a mode of irony and artifice, Three Women may provide a more convenient introduction to the mature Musil.
Review, 2733 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |