Atheneum, 417 pp., $25.00
Beacon, 200 pp., $24.95
Marina Warner has written an interesting but discursive book, which shows the great difficulty she had in imposing order on its enormous subject matter. The guiding idea of the book is the use of female figures to stand for other things. Warner's point of departure is the Statue of Liberty, which is a woman standing for freedom; from this she goes on to other monuments, such as the figure of Britannia and the allegorical statues of female figures in the Paris streets. The form of metaphor which these monuments portray is culturally rooted not only in artistic tradition but in language and in myth. So the book deals with very complex subjects. The question that presses on the reader is whether the complexity arises from the nature of the subject, or whether some of it is due to the confused way that Marina Warner approaches it.
Review, 3681 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |