WORKS BY MARGUERITE YOURCENAR DISCUSSED IN THIS ESSAY
Farrar, Straus and Giroux, 105 pp., $6.95 (paper)
Farrar, Straus and Giroux, 151 pp., $5.95 (paper)
Farrar, Straus and Giroux, 174 pp., $11.95
Farrar, Straus and Giroux, 347 pp., $10.95 (paper)
Beacon Press, 271 pp., $19.95
Farrar, Straus and Giroux, 374 pp., $9.95 (paper)
Farrar, Straus and Giroux, 147 pp., $12.95
232 pp., $16.95
Performing Arts Journal Publications, New York, 164 pp., $7.95 (paper)
Farrar, Straus and Giroux, 129 pp., $8.25 (paper)
The long career of Marguerite Yourcenar—she was born in 1903—stands among a litter of flashier reputations as testimony to the substance and clarity of the French language and the purpose and meaning of a writer's life. In an age of slops, she writes the firm, accurate, expressive French that used to be expected in work taken seriously. Critics speak of language carved, etched, chiseled, engraved: simply, a plain and elegant style, the reflection of a strong and original literary intellect. She is a master of her native tongue and an honnête homme of French letters—novelist, critic, essayist, biographer, translator of Henry James and Virginia Woolf, interpreter of Constantine Cavafy and Yukio Mishima, and—perhaps less felicitously—poet and playwright. (Without rival, one could add, if it were not for the quiet, continuing career of Julien Gracq, now seventy-five.)
Review, 4538 words
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