Yale University Press, 567 pp., $25.00
A generation before Freud, George Eliot taught the unhappy truth to her contemporaries that character is fate. If character is fate, then in a harsh sense there can be no accidents. Personalities suffer accidents; characters endure fate. George Eliot herself is a grand instance of the pattern she created for all of her personages; her own character eminently proved to be her fate. If we seek major personalities among the great novelists, we find many competitors: Balzac, Tolstoy, Dickens, Henry James, even the enigmatic Conrad. By general agreement, the supreme example of a moral character would be George Eliot. She has a nearly unique spiritual authority, best characterized by the English critic Walter Allen about twenty years ago:
Review, 3852 words
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