Knopf, 164 pp., $22.00
Just as The Journalist and the Murderer (1990) was a provocative, and provoking, meditation upon the ambiguous ethical role of the journalist vis-à-vis his subject, and The Silent Woman: Sylvia Plath and Ted Hughes (1995) was an equally original meditation upon the complicated art of biography ('the medium through which the remaining secrets of the famous dead are taken from them and dumped out in full view of the world'), so Janet Malcolm's seventh book, The Crime of Sheila McGough, is both a highly detailed portrait of a woman lawyer and the court case with which she is involved, and an intensely personal and critical examination of law in contemporary America.
Review, 3567 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |