Belknap Press/Harvard University Press, 1,098 pp., $49.95
Most histories of philosophy are methodologically naive. In their standard form the separate chapters are each dedicated to a particular philosopher. Each begins with a sketchy outline of biography, with some attention, perhaps, to teachers and influences. The rest is exposition and possibly a bit of criticism. There are some notable attempts to move beyond this unreflective procedure, which presents philosophy as an autonomous activity, independent of extraphilosophical causal factors, and as the product of more or less isolated creative spirits. Bertrand Russell's popular history aimed to relate philosophy to its social and political circumstances. It was a worthy aim, but he did not succeed. Slabs of general history are laid beside deeply unhistorical accounts of the philosophers discussed, like musical items between circus acts. Philosophy is represented as springing from the creative minds of individual philosophers or the creative minds of the predecessors whose ideas they criticize and develop.
Review, 4980 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |