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In Yeats's best-known play, Purgatory (1938), the protagonist is an old man who is at once the murderer of his father and of his son. Yeats's relation to the poets who were his predecessors and his followers is similar. One finds in his essays and memoirs several references to the poets of 'my school,' but by the 1930s Yeats's school had, apart from his paramours, only one student, who was also the only teacher. The chief poets of the 1880s and 1890s, Rossetti, Morris, Dowson, Lionel Johnson, seem in comparison to Yeats a group of freaks, fizzles, and enthusiasts, while the great modernists seem to establish their university upon a curriculum wholly different from that of Yeats's school.
Review, 5226 words
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