University of Rochester Press, 369 pp., $24.95 (paper)
Cornell University Press, 372 pp., $35.00
We have in our midst an American composer, Elliott Carter, who has reinvented the string quartet, perfected the microdrama for a single voice and a handful of instrumentalists, introduced a new sense of civility into the performance of very difficult pieces for large orchestra, and speculated about the nature of time and memory as persistently as anyone since Marcel Proust and Edmund Husserl.
Review, 4475 words
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