Ardis, 565 pp., $75.00
University of Texas Press, 241 pp., $19.95
To those who, like myself, were in and out of many Soviet theaters in the late 1950s and early 1960s, nothing could have seemed less likely than that as early as 1969 there would appear a monumental book on Vsevolod Meyerhold, drawn entirely from Soviet sources and written by a distinguished Soviet historian of the theater. It was taken for granted at that time that Meyerhold was a martyr, as he had once been the hero, of Soviet theater, and that his name had been struck from the record forever.
Review, 3686 words
To read the full text of this piece, please choose one of the following options:
|
If you are already a subscriber to the Review's electronic edition, please sign in: |
To subscribe to the electronic edition, please press the button below. |
To purchase access to this article for $3, please press the button below. |